| Audioengine
story
Audioengine designs and constructs hand-built
speakers at factory-direct prices. All Audioengine products
are based on custom designs with very few off-the-shelf parts.
After years of building professional powered studio monitor
speakers, the Audioengine team has taken their experience
and created unique powered consumer speakers for your home
and office which are specifically tuned for digital audio.
Great sound, simple designs, high-quality materials, and truly
useful features are what Audioengine is all about.
Developing the Audioengine 5
The Audioengine team sits in a listening room hour after
hour critically listening to all types of music from Bach
to Van Halen. They settle in on a Bob Marley song and Brady
gets another big grin on his face. It’s early fall of
2005 and they’ve just finished fine-tuning their first
speaker system under the Audioengine name. Dave says the tuning
is the hardest part, but admits that finishing up the cosmetic
details before production will be the big challenge over the
next few weeks.
In 2002, after a total of 36 years working in the audio
industry for companies such as Harman/Kardon, Gibson Guitar,
Alesis Studio Electronics, and Apple Computer, the founding
team (Brady, Dave, and Lianne) finally decided to launch their
own audio company. Their goal was to design and build high
quality studio monitor speakers at affordable prices for the
pro-audio market, which is what they’ve been successfully
doing for the past 3 years until something interesting happened,
as Dave explains:
“When you design studio monitor speakers you tend
to spend a crazy amount of time in sound rooms listening for
how well the speakers reproduce the original recording,”
Dave says, in his Mississippi drawl. “During one of
our marathon speaker tuning sessions for a new monitor design,
one of us mentioned that we ought to build up a pair for home.
They had such a wonderful sound and even though they were
studio monitors we agreed they would likely rival Brady’s
home stereo speakers.” And after some circuit mods and
tuning tweaks it turns out they were right. “These little
powered speakers we modified just beat the heck out of my
high-end floorstanding speakers. They were extremely sweet-sounding
with big bass at low levels and just kicked some serious butt
when cranked up,” says Brady.
In another listening room session they had another minor
but interesting discovery. They had just recently started
using iPods and a wireless AirPort Express to play test music
instead of CD players. They generally used lossless recordings
but also found that MP3 and AAC files encoded at decent bit
rates sounded great. “You know, we could design some
high quality powered speakers for people who just want to
listen to their portable music at home,” says Lianne.
“We have all this technology for true sound reproduction
and efficient built-in amps so people don’t need a bunch
of stereo components with wires everywhere. These could replace
an entire audio system and work perfectly for digital audio
players.”
And so it went for the next few weeks. “They’d
be great for games,” realizes Dave. “Just check
out that bass! And you know, I wouldn’t mind hooking
my new flat panel TV to these. The sound would be so much
better than the built-in speakers. And we should include a
set of cables and adapters so folks don’t have to run
all over town looking for something to connect their audio
players and other gear to our speakers”.
USB power for charging surfaced as an important addition,
which Audioengine has since patented for powered speakers
under the “ComboPort” name. “We toyed with
doing our own iPod dock just like all the other iMonkeys have
done,” admits Brady, “but it just didn’t
make sense as the Apple dock is about as good as it gets.
And why waste resources trying to redesign something that
already exists and will be obsolete in 3 months anyway?”
So after a few intense beerstorming sessions, they realized
that a USB charging port as well as a rear panel AC outlet
for an Apple AirPort Express or Slim Devices Squeezebox would
be simple but useful features. “We have this power supply
already in the speaker to run the amp,” explains Dave,
“so adding a USB connector for people to charge their
iPods, phones, and other portables was the next logical step.”
So after many months of development, materials experiments,
component improvements, and tuning trial and error, that’s
pretty much how the first Audioengine speakers came to be.
And they turned out to be everything they wanted and more!
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